---
product_id: 144558941
title: "From Hell"
price: "250 kr"
currency: SEK
in_stock: false
reviews_count: 13
url: https://sweden.desertcart.com/products/144558941-from-hell
store_origin: SE
region: Sweden
---

# From Hell

**Price:** 250 kr
**Availability:** ❌ Out of Stock

## Quick Answers

- **What is this?** From Hell
- **How much does it cost?** 250 kr with free shipping
- **Is it available?** Currently out of stock
- **Where can I buy it?** [sweden.desertcart.com](https://sweden.desertcart.com/products/144558941-from-hell)

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## Description

NOTE: This comic is for adult viewers only, due to sexual content and nudity. From Hell features the story of Jack the Ripper, the most infamous serial murderer of all time. Alan Moore names Dr. Gull as the villain and creates the most compelling and terrifying psychological study ever undertaken. All the conspiracies and cover-ups are considered and bound together in this vortex of terror. A gripping crime noir masterpiece of historical fiction.

Review: Hellishly Ingenious Account of the Ripper Murders - This is an ingenious hatching of a theory of the Whitechapel Murders case, one that flies in the face of all that's good and civilized in Victorian Britain and the British Empire at its peak, despite all those well-known wens, warts, and suppurating lesions. And perhaps the greatest graphic novel yet produced, despite the oftentimes nearly illegible lettering in what I must assume is a reduced page size from the normal magazine- or comic-page sizing of around 8.5” x 11” or so. (You may need strong reading glasses to make out some of the text.) Alan Moore is an indefatigable researcher and brilliant storyteller. Eddie Campbell's spidery, scratchy drawings suit the murky mood of the story. (And even so, when called upon to render historic London architecture, Campbell’s panels burst into glorious, meticulous copperplate-etching-type, scaled architecture-textbook detail and quality.) This book gripped me from front to back. The conspiracy Moore conjures, supported by 42 pages of dense notes and an additional graphic appendix, unfolds splendidly. It includes, of course, the London neighborhoods, and volumes (or is it simple myriad panels) on 19th century social mores, to include, yes, all those whores and other species of “loose women” and, to our eyes today, reprehensible men, but also – for those who are unprepared, but this is no spoiler, because the Ripper stories have been in circulation for sometimes more than a century – royalty, to include Victoria, Druidism and the Old Gods, Freemasonry and its secrets and rituals, icons of 19th century art, architecture, and literature, details of contemporary police and Scotland Yard procedure, and, believe me, very much more, crammed into its 572 pages. And on my next visit to London I'm going to bring with me chapter 4, as my guide to the buildings of Nicholas Hawksmoor. For an architecture buff, as I am, who has stomped around London peering into old churches and ancient structures, as I have, chapter 4, and its beautiful renderings of some of London’s greatest churches, was a particular unexpected, delightful serendipity. I would urge every reader to narrate chapter 14 aloud, in the most refined English accent they are capable of producing. I found it to be a chilling reading experience. And parents, if the title fails to warn you sufficiently, do examine the contents closely before leaving this one out for the kiddies on a rainy Saturday. The copy I read had no "for mature readers only" markings. From Hell is most assuredly for mature readers only and deserves, at the very least, an “NC-17” rating. This is simply a terrific read and one that, I see from other reviews, will require from many a measure of patience. Moore unfolds his tale at what some will find a too-leisurely pace. Other readers have greater toleration for both glacial pace and a carefully studied narrative ambiguity. For those of us who wallow in detail, texture, and explanatory endnotes, as well as a horror stories that, in the end, are truly disturbing, this should be just the ticket.
Review: Fantastic package for a fantastic novel - As a product this is a great compilation for a really great graphic novel. Not only do you get the complete novel, but also a few cool epilogues from Alan Moore (complete with their own comics style) and annotations at the very end commenting on the real life sources and personalities involved in the story (Though, admittedly, the point of view that From Hell takes on the killings has was debunked even by the time the novel was first published. It just so happens to be much more fun than any other theory!). As for the substance, I'm no literature critic so I won't got into a deep analysis of the story's merits, but suffice it to say this one covers all my favorite genres and themes in fiction. History, conspiracy, horror, the supernatural... the nagging sense that the world is truly not as it seems on the surface. I won't give spoilers, but there may be some instances of symbolism taken to the point of absurdity, but in some cases they aren't a big deal and in others they are actually paid off in a very cool way. I found a lot of similarities with my favorite horror movie The Shining - another tale about murderous sanity (ir is it clarity?) that transcends space and time. Fittingly, some passages from this book are like top notch cinema, elevated by the very basic, often ugly art (I use ugly as a compliment here) and the thoughtful presentation of that art from panel to panel. You never feel like you're rushing from one image to the next; they all seem to flow naturally and give you the time to really get immersed in the world the book presents. The book looks like it was etched out of Victorian smog and soot; characters' features blur and smudge... it all feeds the atmosphere and theme. Just top notch presentation. A must own for any (adult!) fan of horror fiction.

## Technical Specifications

| Specification | Value |
|---------------|-------|
| Best Sellers Rank | #102,327 in Kindle Store ( See Top 100 in Kindle Store ) #7 in Historical Fiction Graphic Novels #41 in Historical & Biographical Fiction Graphic Novels #64 in Mystery, Thriller & Suspense Graphic Novels |

## Images

![From Hell - Image 1](https://m.media-amazon.com/images/I/51+7F+WInPL.jpg)

## Available Options

This product comes in different **Media Format** options.

## Customer Reviews

### ⭐⭐⭐⭐⭐ Hellishly Ingenious Account of the Ripper Murders
*by P***O on October 17, 2017*

This is an ingenious hatching of a theory of the Whitechapel Murders case, one that flies in the face of all that's good and civilized in Victorian Britain and the British Empire at its peak, despite all those well-known wens, warts, and suppurating lesions. And perhaps the greatest graphic novel yet produced, despite the oftentimes nearly illegible lettering in what I must assume is a reduced page size from the normal magazine- or comic-page sizing of around 8.5” x 11” or so. (You may need strong reading glasses to make out some of the text.) Alan Moore is an indefatigable researcher and brilliant storyteller. Eddie Campbell's spidery, scratchy drawings suit the murky mood of the story. (And even so, when called upon to render historic London architecture, Campbell’s panels burst into glorious, meticulous copperplate-etching-type, scaled architecture-textbook detail and quality.) This book gripped me from front to back. The conspiracy Moore conjures, supported by 42 pages of dense notes and an additional graphic appendix, unfolds splendidly. It includes, of course, the London neighborhoods, and volumes (or is it simple myriad panels) on 19th century social mores, to include, yes, all those whores and other species of “loose women” and, to our eyes today, reprehensible men, but also – for those who are unprepared, but this is no spoiler, because the Ripper stories have been in circulation for sometimes more than a century – royalty, to include Victoria, Druidism and the Old Gods, Freemasonry and its secrets and rituals, icons of 19th century art, architecture, and literature, details of contemporary police and Scotland Yard procedure, and, believe me, very much more, crammed into its 572 pages. And on my next visit to London I'm going to bring with me chapter 4, as my guide to the buildings of Nicholas Hawksmoor. For an architecture buff, as I am, who has stomped around London peering into old churches and ancient structures, as I have, chapter 4, and its beautiful renderings of some of London’s greatest churches, was a particular unexpected, delightful serendipity. I would urge every reader to narrate chapter 14 aloud, in the most refined English accent they are capable of producing. I found it to be a chilling reading experience. And parents, if the title fails to warn you sufficiently, do examine the contents closely before leaving this one out for the kiddies on a rainy Saturday. The copy I read had no "for mature readers only" markings. From Hell is most assuredly for mature readers only and deserves, at the very least, an “NC-17” rating. This is simply a terrific read and one that, I see from other reviews, will require from many a measure of patience. Moore unfolds his tale at what some will find a too-leisurely pace. Other readers have greater toleration for both glacial pace and a carefully studied narrative ambiguity. For those of us who wallow in detail, texture, and explanatory endnotes, as well as a horror stories that, in the end, are truly disturbing, this should be just the ticket.

### ⭐⭐⭐⭐⭐ Fantastic package for a fantastic novel
*by N***K on February 17, 2016*

As a product this is a great compilation for a really great graphic novel. Not only do you get the complete novel, but also a few cool epilogues from Alan Moore (complete with their own comics style) and annotations at the very end commenting on the real life sources and personalities involved in the story (Though, admittedly, the point of view that From Hell takes on the killings has was debunked even by the time the novel was first published. It just so happens to be much more fun than any other theory!). As for the substance, I'm no literature critic so I won't got into a deep analysis of the story's merits, but suffice it to say this one covers all my favorite genres and themes in fiction. History, conspiracy, horror, the supernatural... the nagging sense that the world is truly not as it seems on the surface. I won't give spoilers, but there may be some instances of symbolism taken to the point of absurdity, but in some cases they aren't a big deal and in others they are actually paid off in a very cool way. I found a lot of similarities with my favorite horror movie The Shining - another tale about murderous sanity (ir is it clarity?) that transcends space and time. Fittingly, some passages from this book are like top notch cinema, elevated by the very basic, often ugly art (I use ugly as a compliment here) and the thoughtful presentation of that art from panel to panel. You never feel like you're rushing from one image to the next; they all seem to flow naturally and give you the time to really get immersed in the world the book presents. The book looks like it was etched out of Victorian smog and soot; characters' features blur and smudge... it all feeds the atmosphere and theme. Just top notch presentation. A must own for any (adult!) fan of horror fiction.

### ⭐⭐⭐⭐ Raising the bar with Alan Moore
*by J***N on September 7, 2020*

Like the Ripper strips away at is victims, Moore stuffs this bird exponentially giving a gluttonous serving of the arguably first modern day serial killer. Moore is the standard of the brilliant and astute student, well rounded in his efforts. He will bring his angle and create a sturdy foundation and a hell of a dwelling for fiction, where is served, the richest food for thought. It’s all there laid out, the process and reasoning in the end of the book just as entertaining as the story itself. Moore, like any great author doesn’t just provide a narrative, he hones in on the time and setting and the spirit of the times and its people. The well stratified view of who walks the streets in 19th century England and how they are fleshed out. No matter the strata, he displays the culture of a people, somehow whether in a classroom or a carriage riding around in the streets, literature, mathematics, philosophy, even quantum physics will prevail in a panal of comic book action. The black and white art is classic and undeniable as moody set pieces range throughout. Adding to the dodgy underbelly. Surprisingly, how the gore not only came through, neutral also, manifested itself and claimed the rest of the senses and creating the shadow world of what lies just beneath. Moore’s work will be reread, because there will be so much Ed missed and overlooked, at least by me. There is a richness that calls out for a brilliant leftover feast.

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*Product available on Desertcart Sweden*
*Store origin: SE*
*Last updated: 2026-10-22*